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Aan Movie Review


Realism meets commercialism. Madhur Bhandarkar takes the aforementioned line that his peers Govind Nihalani [ARDH SATYA] and Rajkumar Santoshi [KHAKEE] embarked upon in the past. Though AAN is assorted from ARDH SATYA and KHAKEE, there do subsist similarities. The thickened chronicle a pig leads, the politician-underworld nexus, the conflict of ideologies... plots and sub-plots alike these have been witnessed instance and again.




Yet, what sets AAN unconnected is the artefact the makers have prepacked the film. Besides clap-trap situations, the flick is rhetorical with individual surpassing hammy confrontations that would attractiveness to the masses. However, there's no denying that the flick could've finished with meliorate writing. The temperament at municipality Crime Branch is extremely low. All impact is event in a highly arbitrary way. Sr. Inspector Vikram Singh [Shatrughan Sinha] has presented up on the system. Inspector Appa Naik [Suniel Shetty], the connexion specialist, is of the instrument that criminals requirement to be eliminated. Constable Khalid [Paresh Rawal] is a happy-go-lucky guy. These officers have acknowledged a laidback knowledge as a artefact of chronicle as they understand that no one be able to vex the system. The municipality is virtually ruled by threesome people… Manik Rao [Manoj Joshi] -- the Home Minister calls the shots, with the accumulation unwaveringly low his control. Underworld dress Yusuf Pushtun [Irrfan Khan] has his filled support. A playing magnate, Gautam Walia [Jackie Shroff], is also hand-in-glove with them. But everything changes when D.C.P. Hari Om Patnaik [Akshay Kumar] gets transferred from Pune. The threesome officers encounter themselves at loggerheads with the newborn officer, who is observed to modify things. The possibleness arises when Manik Rao gets bourgeois Ajit Pradhan [Milind Gunaji] eliminated by Yusuf Pathan's junior brother [Rahul Dev]. Pradhan's remove opens a Pandora's box. Hari and his men ordered soured on a dawdle to nab the folks behindhand this hi-profile murder. AAN haw not be the most warning playscript you've witnessed, but it does jactitation of individual attractive moments. The flick takes its possess instance to become to the point, which explains why the viewer gets discontented in the primary half. The launching of every character, especially that of Akshay and Suniel, grabs a aggregation of footage. However, the launching of these digit actors has been filmed most imaginatively. The flick actually takes soured when Milind Gunaji is effort departed by Rahul Dev. And the measure continues to foregather strength during the strain [filmed on Reema Sen] and the shootout thereafter. Post-interval too, the flick continues its speed pace, with individual disagreement scenes attractive the interpret of the flick to a newborn high. The ordering between the threesome cops [Shatru, Akshay, Suniel] and Irrfan right the masjid is an given warning of beatific execution. Ditto for the environs when Akshay shoots Rahul Dev and throws him soured the skyscraper. The struggle of text between Om Puri and Manoj Joshi is also remarkable. Director Madhur Bhandarkar has targeted the flick at the group and that is plain not exclusive in the hammy portions, but also when it comes to weaving state in the screenplay. However, the flick definitely merited a meliorate script.

To land that the playscript [Manoj Tyagi and Sanjiv Puri] has its deal of loopholes wouldn't be wrong. For instance, one fails to see the requirement to have a humanities road between Akshay and Lara. The category of flick AAN is, modify if there weren't some heroines, it wouldn't have prefabricated some disagreement whatsoever. Their romance and the strain in the flick become as a pace breaker!






Even Jackie and Raveena undergo cod to half-baked characterizations. Raveena's modify of hunch in the pre-climax looks likewise sudden, patch Jackie's case is scarce devilish. Even a cured entertainer alike Shatrughan Sinha hasn't been presented scenes that would do official to his stature. Music [Anu Malik] is a integrated bag. The digit drawing that defence discover are the ones filmed on temporary performers -- Gauhar Khan and Reema Sen. Cinematography [Madhu Rao] is fantastic. The artist has captured the graphic region with as such melody as the shiny visuals. Dialogues are power-packed. It would be doing large wrongdoing to the flick without praising the state co-ordinator's [Abbas calif Moghul] contribution. To feature that the stunts are the linchpin of the flick would be an understatement. In fact, the state co-ordinator is doubtless one of the heroes of the film. The performances are of a broad standard. Akshay stands concern on his feet in hammy portions, which brightly indicates that the person is attractive a travel nervy with every film. Suniel delivers still added action that he be able to be chesty of. The person is perfect in a persona that seems tailormade for him. Shatrughan Sinha returns to the concealment after a gap and though he has his moments, they aren't sufficiency to sated his fans. The coercive punchlines are absent this time!

Om Puri leaves a evaluation in a diminutive but momentous role. Paresh Rawal brings a grinning on your grappling still again, though his primeval opening haw foregather with different reactions from viewers. Jackie Shroff doesn't achieve plenteous scope. Ditto for Raveena. Lara Dutta is wasted. Preeti Jhangiani is effective in a short role. Irrfan Khan is a scene-stealer. He looms super every instance he appears on the screen. Vijay Raaz and Rajpal Yadav achieve no scope. Manoj Joshi gets a meaningful persona and he delivers and how! Another person to watchout for. Ajinkya Deo makes his proximity felt. Rahul Dev is competent. Anjan Srivastava, Milind Gunaji and Ravi Kissen are alright.





On the whole, those who favour expressed masala flicks [with loads of action] to feel-good entertainers be going to alike AAN. At the box-office, the flick has meliorate chances at mass-oriented theatres [single screens], not multiplexes. While the group be going to fuck the state scenes, the critics, aristocracy and kinsfolk audiences, especially ladies, haw not rattling go for it. Business in circuits alike U.P., Bihar, M.P. and Punjab should establish to be the best.

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